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The fundamental mantra for making an Indian television serial is that it must be never ending. It has to go  [https://trello.com/stingyeffects1535 Yeh Rishta Kya Kehlata Hai] on till scrapped by the channel producers.<br><br>Based on observations over the years the following guidelines have been listed as most essential.<br><br>The Storyline: As we have already mentioned the must mantra above the storyline should ideally have maximum elasticity. Means the storyline has to be structured in such a way that it can go on endlessly taking in new angles or triangles or developments or shock treatment or altruistic twists or directorial wish and that it should never get caught with a dead end. You just can not afford to aim at a most logical end, because you must aim at earning the maximum revenues possible-both for you and the TV channel. , if revenues are found to be dipping the channel producers will automatically and abruptly end it.. This does not mean that the storyline ends there.<br><br>The Characters: Following as a corollary from the above the characters of your serial should be immense in numbers and stupendous in characterization. And, also for the dreadful eventuality of the serial inevitably heading for a most logical end you can just withdraw from the reserve and manhandle it on to the never ending track again. Say no to the frowns and scowls of the channel producers.<br><br>The Location: You have no choice here thanks to the above conditions. You must always have a huge posh bungalow with a gigantic hall and inner staircases leading to the galleries and rooms above. This requirement is irrespective of whether your serial is urban or rural based and whether the protagonist is a software billionaire or a down to earth cultivator. You must understand, you need the space to maneuver your abundant quantity of characters around and showcase their emotions. You need the demonic hall, because during a dramatic moment you have to line up all your characters there and go on taking their reaction close ups endlessly with the cameras doing go-rounds or vertical assaults